Showing posts with label weather. Show all posts
Showing posts with label weather. Show all posts

Wednesday, May 13, 2009

Switzerland: seven cities in seven days

Switzerland didn't exactly make the list of top countries I'd like to visit in Europe, but I spent a week there because, thanks to a friend of a friend, we had access to a car and accommodations. Perks notwithstanding, it's been my most expensive week so far (e.g., $30 for a pizza), so in this way and in many others, the country seems to live up to its name, which can be both good and bad. That may just mean I haven't penetrated very deep into the heart of Switzerland, but in the abundance of luxury cars, mountains, and clear water, I see what I expected.

Together, the mountains and the water make up the best of Switzerland. No matter where you stand, it's nearly impossible to have a view without a mountain not too far away, usually still covered in snow at this time of year. We drove from one end of ski-loving Switzerland to the other, from little Nyon on the northern coast of Lake Geneva in the French-speaking west, to Zurich in the German-speaking northeast, and because of the mountainous landscape, I'd never driven through so many tunnels.

For some of the drive we could enjoy Lake Geneva to the south, reflecting the ten kinds of blue and white in the peaks that rise behind it. It's the largest lake in Europe, so large that as I watched it stretch out before me, I had to keep reminding myself it wasn't the ocean, so large that when the rain didn't hit us, we could still see pockets of rain scattered around different areas of the lake. When I didn't see drops hitting the surface of the water, I still saw thin shadowy curtains hang down from clouds in the distance.

This was in Montreux, on the eastern edge of the lake. We climbed a tower in the nearby Chateau de Chillon with its natural moat, and at the top could look down on the ripples that crisscross in grids, or on the misty white line in the atmosphere separating the lake from the sky or mountain.

The other reason I wanted to go to Montreux was Freddie Mercury. This was his second home, and after he died, the city erected an appropriately ostentatious statue in his honor. In other classic rock news, the nearby casino was the site of a fire that supposedly inspired "Smoke on the Water."

It was the little stuff like that that made the week interesting. Stuff like the flower clock, and the home and statue of Rousseau in Geneva. And the giant chessboards on the pavement in Zurich. And the heartrending Lion Monument in Luzern. While there, we had lunch at a Euro Thai restaurant (I should feel bad not trying the local fare, but Swiss food is not what you'd call world-renowned). The first thing the Thai woman asked was whether I was Vietnamese, and to my surprise she started speaking in what Vietnamese she knew. She wasn't bad. Who knew I'd come to a country with four official languages (the other two are Italian and Romansch) with a Hungarian friend to eat at a Thai place and speak to a woman in Vietnamese.

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Reading: Vaclav Havel, The Memorandum
Listening to: Babyface

Saturday, May 2, 2009

The simple life


Conditions in the French countryside were slightly less primitive than those in the Vietnamese village where I visited family last summer, but I resisted the low-speed Internet and landline and filled my time with Dostoevsky, grassy hills, and freshly picked leeks. (In fact I may be the last person I know to have heard about the swine flu outbreak.) I spent the better part of a week in Rossas, a hamlet of at most a dozen houses nestled between mountains 200 kilometers southwest of Lyon.

When the weather permitted, we trekked through patches of yellow-green grass and newly bloomed trees, sometimes to a stream that my friend’s brothers dammed themselves, or to a field like an oasis naturally cleared amid the trees. When the weather didn’t, we buried our noses in books, listened to Bach, and watched smoke on the mountains (well, if there can be smoke on the water…). For a split-second I considered that this fog might actually be smoke, the way it rose from the mountains. It was worth watching the low-lying clouds, because to see them drift east to west, in and out of the hills, was to see them connect the earth and sky, to see that the white wisps are much closer to us than to the ceiling, and to see beyond the two dimensions of the sky.

Indoors, we also prepared easy meals, sometimes with vegetables straight from the garden outside, which we tilled when the rain let up. Because we were staying with my friend’s parents and because they are vegetarians, I learned to eat more sustainably than I have in my carnivorous past. Except for a month in sixth grade, my weeks in France were the longest I’ve gone with little or no meat, and I left with a renewed desire to give vegetarianism another shot – for moral reasons, but also because the crap we get from the slaughterhouse is injected almost beyond recognition. So it’s less about avoiding meat (because I will still eat meat) and more about eating real food. It reminds me, why do we cook anyway? In our early days it made sense to grill beef and boil bamboo for health reasons, but I wonder at what point we decided we needed to put things like carrots and tomatoes to heat, too.

Each course was very simple – lettuce with tomatoes or rice, vegetable soup, stir-fried potatoes, bowtie pasta, cheese, fruit yogurt, or chocolate. I didn’t think these alone would be enough for me, but when you have course after course (and that seems to be the French way), it’s more than enough. It also helped that I have learned to like things I used to think I hate:

  • Radishes
  • Uncooked cauliflower
  • Cooked carrots
  • String beans
  • Lentils
  • Cheese
  • Unsweetened yogurt
  • Celery
  • Olives
  • Spinach
  • Peas
  • Ravioli
  • Pesto
  • Plain pasta

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Reading: Henrik Ibsen, The Wild Duck
Listening to: Bjork
Watching: Scarface


Thursday, April 30, 2009

I climbed this:

Hitchhiking, mountain-climbing, ski-less skiing – I did in one day things I could only imagine and some things I had never imagined at all. Of these, hitchhiking was the most necessary because there was no other way to get to little Barnave from Valence (and to get there we took a train from Lyon). All the horror stories and warnings had succeeded in deterring me from hitchhiking before, but now there were three of us, two girls and Iohan, a veteran hitchhiker because, he said, people here are nice. And he was right. So right that between the five cars it took to reach our final destination, we never had to split up, as we’d feared. So right that I might consider hitchhiking again. So right that (and this is more likely) I might consider picking up hitchhikers one day because the drivers we met were conversational and because I understand the pain of rejection (though, actually, we were quite lucky and didn’t have to wait long between being dropped off by one car and picked up by another).

In Barnave, a mountain village of sixty or so in southwestern France, we slept in a temple on those blue mats used in gym class and wrestling matches. Both (the temple and the mats) were indispensable to Iohan’s sister, who is a trapeze artist and who hosted us because she lives in the house adjacent.

For a backyard she has the fields, the forests, and the mountains, and also one of the many vineyards that seem to make up the town. Wind tossed the clouds around unpredictably, and in the distance, it shook the grass of just one field, seeming eerily to touch nothing else. I noticed there, and on the drive there, the variety in the hills and mountains, because each peak that rises behind each other is different from that other. One is fully forested with evergreens. Another sprinkled with rocks. Another with dead grass and bushes. Another still frozen in snow. I counted at least five different greens.

At breakfast one friend scared the other and me, saying we’d better eat enough for the day ahead on the mountain. But in the face of necessity we survived those ten or so hours on apples, sweet biscuits, and water, some of which we bottled ourselves at a spring one-third of the way up the mountain. But I’m getting ahead of myself.

Living in the mountains was enough, I thought, but in fact we had to hitchhike three times to reach Valcroissant, the site of the mountain we would climb.

“I didn’t know hiking would be this easy!” I smiled in the first car, into which I had crawled under the back door and half-sat, half-crouched over a box of nails and a hammer. “Oh, so you think we’ll be riding the whole time!” my friend shot back.

There is also a little church with a hostel at Valcroissant, which I am beginning to understand better. Few residents do not amount to few tourists, and it was a pair of tourists, actually, who drove us the final leg.

Vertically, we ended up covering nearly 2,000 meters; horizontally, perhaps ten kilometers there and ten kilometers back. I knew going into it that I would want to quit and it would become unbearable at some points. But more accurate is to say that your body seems to be able to carry on in these situations as long as your mind doesn’t know about it. And in fact I would have second winds, bursts of energy when I just wanted to run (I would pay for that later, in the days it took to recover), but I think that had more to do with impatience than energy.

The terrain here was as varied as the hills I’d seen earlier, if not more so. One hour we would be trampling over damp and dead leaves, the next we would be fording a cool spring. Or running through dirt and stones, or picking our way through grass and twigs. On one grassy knoll we walked within a few meters of a ram, lying so carefree we thought it might be sick (but probably not because it was gone on our way down). Sitting on a cliff almost worthy of Pride Rock, we eventually saw more like him, probably a dozen rams in the distance fading into the boulders behind them, except for a baby ram that somehow ended up nearby.

To top it off, untainted white snow survived into this late spring at the top of the mountain. I unwittingly wore ankle socks and capris, so Iohan dug a hole into the snow with each step, creating a path for us to follow. Uphill, that is. I didn’t consider that we would have to find a way back down, possibly because I was sick of the snow and just wanted to reach the summit.

Making our way downhill in the snow, it turned out, was the best part of the expedition. I wouldn’t believe it if I hadn’t been there, but we slid down the slope in nothing but our shoes and T shirts! Terrifying but thrilling, difficult but efficient. Simply saying it doesn’t seem to convince me that I glided down a mountain, more than 1500 meters above sea level, riding the crest of the snow. In some places the snow was too soft, so we’d sink down past our knees, or I’d ride piggy back or on shoulders. But mostly I wanted to make it down myself and realized that this, in spirit, was exactly what I’d come out here to do.

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Reading: Dostoevsky, The Possessed
Listening to: Heart

Friday, April 24, 2009

Heart of Lyon

A woman I met briefly in Lyon compared the city to Budapest: in either, one can look down from the hills on the western part of the city (the "Buda" side), to see the river and the rest of the city. The main difference is that Lyon has not one but two main, surprisingly green rivers, the Rhone and the Saone, though they do converge. Indeed, in the hilltop apartment where we stayed two of the three nights, a window faced east (in the end I couldn't get myself up early enough to watch the sunrise), giving us a view of much of the city, the Saone, and the garden immediately below where we sat for breakfast.

It seems there was no shortage of high-altitude vantage points that offered breath-taking views of Lyon, with its red ceramic shingles and darker red chimneys that look like so many top hats tossed onto the roofs. But for this the best part of the city might be the Croix-Rousse (like Red Cross, but "Rousse" isn't quite red, more like fox red). I went there a couple times but even better than the panoramic views was the second evening there, when a light fell over the hill like none I can remember. I was initially unhappy that dusk came on because the eastern sky clouded over so ominously, but after a few meters we noticed a brightness in everything west of the stormy section of the sky, almost like night and day, as if we had stepped from one to the other. To describe it might be impossible, but if I could remember what an eclipse looked like, I'd probably compare it to that. Or like a painter had applied one new glowing color so lightly but evenly across the already colored sidewalks, faces, trees and clouds. It was a pink and orange that changed so quickly that when I looked back at my photo (main, above), I was afraid I might have changed the settings.

Nearby we also saw a cathedral, something meant to look like a mini-Eiffel Tower I think, and Roman ruins, amazingly. The maze of hand-laid stones were not much less impressive than the ruins in Rome, except that we could jump across these freely (I think so... didn't really think about the sacrilege at the time). Imagine our surprise when we walk past these and happen upon the Amphitheater of the Three Gauls. Row upon concentric row formed the half circle before the stage, which I hope is still in use, and then healthy green trees and lawns. The wind would blow leaves and other yellow-green specs from the foliage in misty waves, as well as whole clouds whose shadows we could see racing across the amphitheater.

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Reading: Vaclav Havel, Temptation
Listening to: David Bowie

Thursday, April 16, 2009

Old friend in an old town

Boulogne-sur-Mer, along the northern coast of France, has a population of as much as 100,000. A friend I haven't seen in over two years teaches high school philosophy here, and within minutes of meeting at the train station yesterday, we were discussing educational systems and climbing the hilly roads to his flat as if the two years had been two days.

"If you look out this window," he said once we reached his place, "you'll see the town's only two attractions." To the left, a cathedral I hear every hour, to the right, a belfry indicating the castle and walls that surround the old part of town where he lives.

If my writing professor allowed me to use the word, I would call the day perfect. In a rare move, the sun showed its face, so we picnicked around the corner, on a grassy hill inside the walls. I am but shouldn't be surprised at how old the town looks, with typical cobblestones and uneven streets and low houses. I didn't stop for the museum inside the castle, but saw my first moat, which I guess is one of the reasons tourists actually come here, to my surprise. There's even a tourism office, er, booth, but Iohan says even a town of 100 has that. He adds, the tourists are often British because of the historical relationship and because England is supposed to be so close one can see it like Alaskans see Russia. And then there are those who swim the English channel.

We lay on the grass and under the bright sun, which would have been unbearable if not for the wind that passed over at just the right times. We ate and talked physics, politics, and inescapably, philosophy - Kant, Hegel, Pascal, wrapped around our own meandering thoughts. This is the turn our conversations always take, clearly because of his profession, but has it anything to do with the culture, too? It is not as if, in the United States, high school students are required to take philosophy courses.

Then he graded essays while I sat on the ledge of the wall in a familiar scene: reading (in this case, finishing Kafka) as the sun sank over the water.

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Reading: Borges, A Universal History of Infamy
Listening to: Carole King

Sunday, April 12, 2009

Intro to Paris, over books, wine, and food

The semester at Central European University technically ended more than two weeks ago, and with my arrival in France yesterday morning, the nearly two months of traveling around Europe has officially begun. Most of that travel will be in France - hence the blog title change - where I begin in Paris, hosted by a friend whose host is kind enough to lend me a room. I have yet to get to know the septuagenarian who owns this apartment and who speaks little English, but this room is telling: shelves upon shelves sag under books on Rodin and the history of film, or by Hugo and Verne, or a translation of Gulliver's Travels that reminds me I need to reread this favorite; cupids and curlicues are carved into the ceiling and walls, and against the walls sit/hang black-and-white photos (I can't tell if they're aesthetic or historical), a Klimt-like painting of a violin in a kitchen, a red-and-yellow Soviet tapestry bearing Lenin's face; I write by the light coming through the double glass doors that open out onto a balcony, which overlooks Boulevard Voltaire in the 11th arrondissement, and by the light of two lamps made by their owner out of whiskey and champagne bottles; the best part are things like the lamps all around the apartment, knick-knacks he has made out of metal or wood or simply picked up off the street.

The fatigue and disappointing weather limited what I did yesterday, but in the evening, friends new and old put together a simple dinner and our conversation for those more than four hours hinted at things to come: fashion; school; living with French speakers, while in Hungary we lived with people from our program; organic and genetically-modified food; wine; France's protest culture; the Algerian War; colonialism; movies; differing views on hygiene; religion.

After a few days here, the plan is to move gradually south, hitting Lyon and Marseilles in the coming weeks, before heading to Berlin, Geneva, and then back to Budapest one final time.

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Reading: Kafka, The Castle
Listening to: Lily Allen

Tuesday, April 7, 2009

Tavasz itt van!


Some kind of Croatian Easter display...

...with two faces...

...in front of St. Stephen's Basilica. Yes, spring is here!

Sunday, March 8, 2009

The countryside, caves, and a castle

Miskolc is a university town two hours northeast of Budapest, but I'm afraid in the two days out there I didn't see much of the university or the town. Instead much of my attention went to the drive (to Miskolc, as well as to Aggtelek) and to the sights: a castle, a cave (pictured), and a bath inside a cave. On the way we stopped for gas, which is paid for after filling up the tank, the reverse of what I'm used to. "But what if people just drive off without paying?" I asked my friend. The answer was cameras, both at the gas station and all over the highway, which also means drivers can receive fines (for speeding, or anything else) a month after the fact.

California has conditioned me to love driving and the whole process of a drive, but even then a cruise through the countryside seems like it'll always be an unexpected pleasure. It was better often to watch rather than talk during the hours driving from Miskolc to Aggtelek and back: brown leaves with hints of burgundy and gold still clung to the trees as if it were autumn, and clouds hung low in the sky, so low some wrapped around villages and mountains like smoke, and others moved so quickly over the land we seemed to be driving alongside them. I forget too that these highways pass through villages simultaneously cut off from the world (a woman pumping water in front of her home) and connected to it (satellites on top of every other house).

In Aggtelek we descended 270 steps to reach the two-million-year-old cave shared with Slovakia. Like clouds, the stalactites (from the ceiling), stalagmites (from the gound), and stalagnates (combining the two) form recognizable images, from Santa Claus to dolphins to Romeo and Juliet, and they continue to form. Others have fallen (some more than once), but the tallest stalagmite is 19 meters, and in Giant's Hall (main photo) the ceiling is 27 meters high. The entire UNESCO site is 25 kilometers, so although our tour was under two hours, I can see how others last for seven.

That was conducted in Hungarian, but earlier, I took a shorter, bilingual tour of Diosgyor Castle in Miskolc. Aside from my friend and I, just four teenage girls went on the tour, so it was as though I had a private guide because I was the only one who needed English. It's dedicated to King Louis the Great, who ruled Hungary and Poland in the 14th century, so the small castle has a wax museum depicting the life of the times, which evidently meant leprosy from an appalling sewage system (dumping trash out windows), belief in a hell modeled after Where the Wild Things Are, and non-lethal combats as sport (the winner gets a flower). The guide said this was the largest collection of wax figures in Central Europe - odd for just half a dozen small rooms, but there was a lot of supporting cast.

As for the castle itself, four stone block towers rise up from the corners, with similarly wrought walls and a bridge connecting to the surrounding land. Most of the space is occupied by a courtyard with a platform at the east end. Not much fills the small rooms, but to reach some you can walk underground, and (better yet) others you can reach by climbing four or five sets of stairs inside the towers, where it is wonderful to look out over Miskolc as the sun sets.

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Reading: Ferenc Molnar, The Paul Street Boys
Listening to: Sheryl Crow, "Sweet Child of Mine"

Monday, February 23, 2009

The sun, and other pleasures of Venice


How depressing, to return to a frozen Budapest after three days of not just Venetian sun, but warmth, too. It did not hit me immediately because, after a 13-hour train ride, we had arrived in Venice at 7 a.m. on Friday, dawdled cluelessly for an hour, and then embarked on a cold, hour-and-a-half trek to find our hotel. Yes, I sold out and stayed at a hotel because it was Carnevale and we were desperate, but at least we snuck three into a double. Given the size of Venice, I still can't believe how long it took to get from point A to point B (in fact, I'm relying on my roomie for the estimate). But by the time we stored our things, there were still three hours till check-in and we were all so tired from the hellish train ride (a story for another time) that a few of us just sat on church steps 10 meters from the Canale della Giudecca, listening to an accordionist and guitarist play "Strangers in the Night."

It was then that we began to notice the sun. There had been a reasonable number of bright days in Budapest, but none that came down on us like swords and blinded us happily and lulled us into a drowse. None that masked the chilly air and made jackets for once superfluous. We couldn't have asked for a better complement to the canals: I don't know why we, like raccoons, find shiny things so alluring, but in the water, sunlight danced from one small wave to the next, dulling when clouds passed over. I'd like to think of them as sprites or some other animate creations, but it's not true, even as analogy. There's not a set number of sparks that leap into view, they're not real, they just come and go with every bend of the waves, when the sun, water, and eye form the right angle.

Truth be told, those two - the water and sunlight - were the reasons I went to Venice. Carnevale had something to do with it, only in that I had been meaning to visit the city, and this festival gave my friends more incentive to go, so I joined them. Why not enjoy the masks and costumes? And I did, but they get old, fast. I met Claudio, who lives 20 minutes outside Venice and has worked there for two decades. Without sounding jaded or disenchanted, he said Carnevale used to be about making costumes, participation, but now 90 percent of the people don't dress up and most who do, buy their outfits. It's more of a fashion show now - both literally, as grand and colorful dresses stroll across platforms in Piazza San Marco, and practically, as strangers ask strangers to stop for a photo.

"But you don't dress up," I pointed out.

"Yes, but I'm not participating. I don't come here for Carnevale," Claudio said. "Other people say, 'I'm going to Carnevale.' You ask, 'What will you wear?' And they say, 'Nothing.'"

What surprised me more was that Elizabethan dress was only the beginning; people came out as Mario and Luigi, bears, clowns, and my personal favorite, mummies with "third legs." I was afraid the weekend would be too New Orleans, or Times Square during New Year's, but it was also another Halloween.

I said Claudio was not jaded or disenchanted, though, because he reasoned that this might not be his ideal Carnevale, but it was in the spirit of Carnevale nonetheless: it was a time for people to do as they would and not to follow rules, so however the holiday changed was natural because it reflects always the desire of the people.

Monday, February 16, 2009

Day trip: Bratislava

[Click on headline for the Facebook album]

With Anna Karenina's suicide fresh in my mind, I got on a train to Bratislava, though I was only spending Friday there en route to Vienna for the weekend. It seems few visit the Slovakian capital except while passing through, and the winter cold made it even less appealing to visitors than other seasons, so I almost felt that we had the quiet city to ourselves.

As if as testament, my friends and I had trouble thinking of famous Slovaks, unless you count those who made Czechoslovakian history, and most of those associated themselves with the Czech Republic after the split. Jeff, our tour guide in Vienna and Budapest, said it was a shame but due in large part to the ambiguity of the Slovakian identity, a tool mainly of the rural nationalists who struggled for an independent state. It's true that Slovakia probably had/has relatively less bearing on international history, but I think it also seems less significiant because of a superficial, self-perpetuating cycle in which we're taught little about the country, so we teach little about the country.

Understand our irritation, then, that such an unvisited city should newly be on the Euro and relatively expensive, while the more popular Budapest is still on the Forint and more affordable. We should probably shed Hungarian attachments when crossing the border, but the difficulty is apparent when we keep trying to speak Hungarian (what little we know) to Slovaks. Then again, that probably has more to do with foreign languages in general, as people often confuse them when learning more than one, no matter how different.

An effect of my limited knowledge of Bratislava was to wander the day away, surprised by the Gingerbread-house-like designs of some buildings and amused by statues that didn't take themselves too seriously. At some point I always end up roaming the streets alone, or actually, allowing myself to get lost, like taking apart a car to see if you can put it back together. I took that time to see the requisite castle, New Bridge (main photo), and Danube River, where I would have snuck on to a deserted boat if a gate hadn't cut if off. But most of the time I didn't know where I was, walking east when I thought I was walking north.

As much as I love navigating and as much as my navigational skills improve with each trip, maps can be less simple than you expect. There can be a Vorosmarty Ter as well as a Vorosmarty Utca, or an Antelope Road as well as a North Antelope Road. My most recent epiphany is that I expect to look at a map and follow simple directions, only to immediately lose the correspondence between the paper and the street, i.e., reading the one and walking down the other. I expect something more like a GPS, as if I had a broader perspective and were to go outside myself to watch and guide from above.

I rely instead on instinct (successful much of the time) and strangers, and never worry because things always work out. While lost in Bratislava, I was lucky enough, as the dark descended and compounded the cold, that the next bus I saw would take me to the train station. I was one of the first to arrive, but the last to board because, succumbing to the negative temperatures, I bought a glass of wine just so I could sit next to a radiator at a restaurant and lose track of time in Sartre.

A possible high point of the day, I'm almost sorry to report, might have had little to do with Bratislava itself: from inside the evening bus, I watched a light snow fall unlike any I'd seen. Not sleet, not flakes, not powder; I can only liken it to sand that reflected the city lights the way clouds do, sand that the wind effortlessly twirled into a Flamenco dancer or dragged along the road as if by magnets.

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Reading: Sartre, "Nausea"
Listening to: John Legend, "PDA"

Monday, February 2, 2009

For the love of Buda

Two days passed before I realized how laughable my Friday afternoon was: I walked to Buda castle after exploring the gray and quiet streets of that western half of the city, and stopped at a ledge overlooking the Danube to read Kafka's The Castle. Granted, the book's castle is more metaphorical than physical, but it exists nevertheless. My intention was only to navigate through Buda because people (myself included) tend to spend more time on the Pest side of the river, but the day was such a welcome break from the rain and snow, I wanted to take a Czechoslovakian break.

The next day I returned with friends to meander through the castle's underground labyrinth, which is not as cool as it sounds, my friends decided. And they were just obtuse, I decided. It was, after all, a simple chain of subterranean, naturally sculpted tunnels, which can make for an excursion with the right expectations. I read the description at the entrance, so I was excited by the prehistoric age of the labyrinth and its history of sheltering the war-trodden. It also prepared me for the "cave drawings" and stone carvings that were not prehistoric so much as entertainment. Probably my dismay over the manufactured attractions in Rome also softened the blow, so the "artifacts" were not as odious as the clammy musk of the low-hanging passageways.

But what I couldn't have expected amid the dripping ceilings and ominous music was the exhibit of the "Other World." First we came upon a cordoned fossil of a footprint, and I waited as my friend read the description. "They're just laughing at us," he concluded, walking away in disgust. The footprint turned out to be a shoeprint from the specimen "homo consumerus," and other relics followed, stone impressions of a laptop, cell phone, and Coke bottle (see photo), among others. I found it hilarious that those who ran the labyrinth would ever have thought to produce something like that. At the same time, as with the music, the drawings, and the dining area, the "remnants" really said something about the desperation to please tourists and the dearth of better alternatives.

But as I said, I enjoyed my first maze, as you can find enjoyment in nearly anything, and after crossing out my friend's overblown sarcasm, I wrote something to that effect in the guestbook: "Thank you for the labyrinth. I appreciated it for its history. People who come here expecting fireworks and can-can dancers prove the joke of homo consumerus."

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Listening to: Janet Jackson, "Together Again"

Sunday, January 18, 2009

Our humble abode

To get beyond the surrealism of a new city, to feel that you have actually left home and shifted your existential status in relation to the rest of the world, becomes easier with the help of local architecture. Although there is much to learn and describe about the design of Budapest, my first thoughts go to the construction of apartments and similar buildings, like mine pictured. It seems a common Hungarian solution to at least one architectural challenge is to build apartments around a courtyard, allowing more opportunity for windows. The idea may not differ so much from the shafts of Manhattan, but there is something much more thrilling about coming and going through the courtyard with the dwellings of neighbors rising around you.

Inside our apartment, though, I guess I ended up shafted anyway. My room makes dorms look spacious, anomalous to the rest of the apartment with its 14-foot ceilings, which makes me think space is poorly distributed. But I knew what I was getting into when we signed the lease, and it appeals to my minimalist tendencies. The only part I find strange is that I so easily accepted the windowless conditions, having forgotten what a fuss I made about finding a room with a view in Vietnam. No matter. I sit now in our airy living room, which if the sun were out and the blinds drawn would glow with natural light. The blinds themselves are a funny thing, too. They're heavy with wood bars to cover the large windows, so to open or close them is borderline hazardous and requires pulling or loosening a thick cloth strap.

Laundry also entails more effort than usual because most people have washing machines but not dryers, so we hang dry our clothes. I can't complain, though, about the heated racks in the bathrooms, which in many homes include a shower far removed from a toilet. Most toilets have round metal buttons (as opposed to levers) to flush, though I saw one at Central European University with a pad instead. The doors, as with those in the rest of the place, lock only by key. That always adds extra time entering and exiting (so we're screwed in case of fire), and explains why there are so many locksmiths wherever we go. Otherwise things are quite 'normal,' including kitchens, although real estate agents like to say that American-style kitchens are those that meld into a living room or some other part of a house, and everything else, I suppose, is un-American.

Friday, January 16, 2009

Out for a walk


As much as I love travel and the idea of travel, I am often frustrated by the problem of breadth versus depth; how many places will I visit and how well will I get to know each of them? On the continuum that runs from complete ignorance of a place to true expertise, I often wonder what it really means to have been to a city. I have an irrational aversion to tourist attractions - well, irrational in that I should judge something according to its own merit, not by the number of others who like it. But there is an element of rationality, too, because a bubble often forms around these attractions and keeps out the distinction of the locale.

To walk around the neighborhoods, though, is a start, especially today when the sun finally returned. Doing so confirmed a couple things I'd heard. For instance, people seem to love their dogs, leashed or not, but don't love to pick up after them. Droppings are everywhere, but I saw them before it was too late, I think. Also, few cross the street unless given the green light, a strange reversal of Manhattan and Saigon, but it did make me feel like quite the trailblazer to continue on where others had stopped. Even more gratifying were the people who talked to me even if I didn't understand them. I paused in front of one shop to look at the boots placed outside, and a middle-aged woman rambled about something while fingering $6.50 pants. When she walked away, I noticed a hole burned into the left leg, which probably wasn't her doing (though she was smoking). An older gentleman stopped me for directions ("Hol van a...?") but found the place right in front of us before I could say "Nem tudom." Now I know how Rory felt in the second season when someone mistook her for a New Yorker and requested directions.

On second thought, my encounter probably trumped Rory's because there aren't many non-whites in Hungary (but they must be somewhere because Chinese restaurants abound). I'm surprised at how international this city has been (students, and others who end up staying after visiting) in contrast to how few locals speak English. It's hard to know how well I 'fit in' because some speak to me and others stare, although it may be in my head. I'm self-consciously discreet about my camera and map, particularly today because a friend inspired me to explore with no particular destination in mind. Getting lost didn't bother me: I figured I would wander and then look up my location whenever I wanted to go home. But in general I like keeping my bearings because I'm a visual learner who can't know a place until I can picture it.

I was luckily quite near a metro as dusk set in, near the Keleti Pályaudvar train station (pictured) in fact. The problem was, I couldn't find the entrance. Theoretically, maps should be simple, but just because there's a metro icon where Fiumel and Kerepesi intersect on the map, doesn't mean you will see the actual metro once you reach Baross Square. To complicate matters, most busy intersections have entrances that lead underground so that pedestrians can "cross the street" without interrupting traffic - convenient, but confusing because they resemble metro entrances. So after several of those, as well as dead ends and construction detours, I found the red line.

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Listening to: Yeah Yeah Yeahs, "Y Control"

Wednesday, January 14, 2009

Forces from beyond

This picture was taken around noon on my way to class at Central European University. The men in green must have felt they had tortured us long enough, so here they are, spreading the salty love after snow has fallen. I would have felt pretty silly tiptoeing and sliding, but we were all in it together; a man in a car saw me struggling on my merry way and shouted something in Hungarian. I don't know what it was, but let's assume nice. I also made eye contact with a couple guys having just as much trouble and we shared a laugh.

Oh, the background? Just the Basilica, down the street from my school. I think the Latin reads: "I am the way to truth and life."

CORRECTION: "I am the way, the truth, and life." - courtesy of a friend who knows nine languages. (Updated 1/15/09 8:04 AM)

Monday, January 12, 2009

Winter bathing

Light snow has fallen once or twice and jagged ice leisures along the Danube, but there is occasion for bikinis and speedos no matter the weather, and that is the hot baths of Budapest. At the Széchenyi Fürdő in City Park, three baths lie side by side for Goldilocks to test, although in winter I suggest beginning with the hottest (and densest) and spending the rest of the time in the just-right pool. Everywhere are patches of activity: older men play chess on water-proof mats at the edges; a mother helps her daughter swim with arm floaties and swim cap; couples … do couple things; three young men drink beer on the steps. But most just stand and soak, proving the place to be little more than a glorified Jacuzzi.

I argue, though, there is more to the fürdő that justifies more than a two-hour visit. Something like cobblestone surrounds the pools, enclosed in a coliseum-like courtyard open to the sky. There is a nude statue here, a fountain there. Above the four-foot-high water, steam rises 100 feet into the air and softens the lighting, which glows through and tints the fog. The steam passes in and out, sometimes walling the person 10 feet away, other times exposing the person halfway across the pool. We couldn’t determine how much of the fürdő relied on the hot springs that make it famous, and how much man had to intervene. But like beaches in summer, the fürdő is a place I’d like to stay all day reading or sleeping; the lights after sundown aren’t ideal for reading, but at all times the warmth can lull you to sleep.

Monday, August 4, 2008

Here comes the rain again

I was hoping to catch a glimpse of the solar eclipse on Friday, but it was clouded by a thunderstorm that came and went throughout the weekend. By no means was the storm record-breaking, but it was the first time I saw the streets really flooded on the way home. That makes travel especially difficult for people on motorbikes, not just because they have to drive through oversized puddles, but because they have to set foot in them whenever stopped at an intersection.

Small shops are flooded relatively easily, which I think has something to do with the way they're constructed: most don't have traditional doors, but an opening where the front wall would be (think shoebox) and a gate - some like garages, others like the springy argyle pattern of doors on old elevators. So on the way home I saw people scooping up buckets of water from their stores and dumping them out on the street. Yesterday, people were doing something similar at the flea market. The one I visited was lucky to have one big roof, but rainwater was funneled through pipes that stretched from the roof to spots throughout the market, so women were using big bowls to catch the runoff from the spouts.

This morning I remembered to grab my poncho, just in case. The skies aren't looking good.

Tuesday, July 15, 2008

Just along for the ride

Just as Michael Scott ‘loved’ the New York subway, I like the motorbikes (xe may) in Saigon because they take to people of all walks of life – or rather, all types of people take to them. On the street, I pass by motorists in pajamas, jeans, slacks, dresses, business suits, and ao dai. I admit the image is comical; I’m reminded of the days of old when scooters were popular in America, as was footage of businessmen scooting to work. But I doubt anyone cares about that here since few can afford the four-wheel alternative.

Another image that comes to mind: China in 2003. But instead of protection from SARS, Vietnamese drivers wear face masks as shields against the dust and smog. I’ve been fine without the coverings, and actually I wonder why more motorists don’t wear eye protection, which in my experience would have been more useful against the pollution. It’s also common for women drivers to wear arm-length gloves as protection from the sun. I’d like to think they want to guard against cancer or the heat, but no, women just hate getting dark.

Still, everyone’s a slave to the elements. When it rains, out come the ponchos. There are even ponchos made for two, I guess to make it easier to transport another person on the xe may. But even after the rain subsides, beware: a motorist sped through a puddle next to me two nights ago, leaving most of the puddle on my right half.

Whatever the weather, heat is a concern. As if the humidity and triple digit temperatures weren’t enough, the main source of heat is your xe may and those around you. Vehicles anywhere can get oppressively hot, of course, but it’s much more noticeable when you’re waiting at a light, wedged in the middle of a pack of xe may without car doors to keep out the heat of other engines. Then again, whether in motion or stopped at a light, you’re conveniently close enough to hold a conversation with your friend on the xe may next to you.

I have to say the worst thing about xe may, or any vehicle in the city, is the never-ending beeping. I thought Times Square was bad, but drivers here seem obsessed with honking at other people. They beep when the light changes. They beep at pedestrians. They beep whenever they exhale. It makes me wonder, what would they do if someone just did away with all the horns?

Tuesday, July 8, 2008

Stairway to heaven

When I was nine, maybe younger, my nanny asked me if I might like to give God a try. She was Christian and didn’t try to persuade me, just told me about him and about praying and crossing myself. Who knows what made me give in – maybe the shiny cross she gave me. I wore it for a few days until my Buddhist cousin saw it and cried, “Do you know what that is?” while removing the chain. That’s pretty much the extent of my contact with God, and anyone who knows me would be shocked to hear that I even got that close.

But a couple days ago I got much closer, right up to the foot of the man himself. On a mountain in Vung Tau, a resort city two hours away from Saigon, stands a 100-foot statue of Jesus, holding out his arms as he surveys the laity 600 feet below. “You know,” my coworker Nguyen said after I saw the icon for the first time, “there were some Boat People who escaped Vietnam a few decades ago, and when they returned, they built that statue as a gift.”

There must have been something in my face because she asked what was wrong. “Nothing. I just think it’s silly of them to take up public space like that. It doesn’t just belong to Christians.”

The next day we made our pilgrimage to the man upstairs – up a very, very long set of stairs. I went for the same reason I would stop to look at a car accident, but in fact if there were nothing up there but an abandoned car I’d still have gone for the sake of climbing the small mountain. The trek was tiring, with plenty of landings where we could rest and gaze down at the town, at the sea that turned into sky, and at the progress we’d made. Like holy harbingers, clusters of statues would occasionally greet us, as if to say: almost there.

The actual statue at the pinnacle of the hike was flesh-colored, domineering, and anticlimactic. I might have been more impressed with a golden calf, but it wasn’t really Jesus’ fault; he had to compete with a breathtaking view. On one end I admired the coast packed with ant-sized beachgoers and grasshopper-sized palm trees curving around the peninsula. I knew I was looking at something so many others must have seen in brochures. On the other end was infinite water and sky. The sight alone made me feel weightless, or as if I were filled with nothing but that floating blue.

Jesus compensated as best he could. Tourists were allowed to climb inside the statue like they would Lady Liberty, either to the balcony built into his robe, or farther up to his outstretched arms. Earlier, when my boss had told me people could do this, I’d asked, “Isn’t that a little sacrilegious?” Little did I know there was a sacred screening process. You cannot enter the body of Christ wearing shorts, skirts, or tank tops, and you must leave your shoes and water bottles at the opening. I wasn’t disappointed, but I felt bad for anyone who’d gone through all that trouble just to be turned away at the gates.

So we'd faced our maker and by providence no one was smote (smitten?) by lightning. Then again, we did get caught in the rain on the way down, Mr. Pina Colada would be happy to know. If it had come just five minutes later we would have been dry in a taxi, but I’m glad it happened. We were only a few flights from the bottom when I stopped to enjoy the wind that was picking up. On the horizon, the same wind was bringing in clouds and, to our amazement, we could see them raining into the sea before the storm reached us seconds later, the sky still light. We ran to a tunnel for shelter and did what was only logical while waiting out the storm. We ate ice cream.